Highlights from the We Are One Film Festival
With poorly shot action scenes, virtually zero character development, and no interest in indulging in its fantasy premise, Artemis Fowl is a total slog that will displease die-hard fans of the source material and newcomers alike.
Although it’s ambitions crush its subtlety, Capone strips down its icon as it traverses the pains that the passages of time have to offer.
My Darling Vivian brings much-need attention to its subject, but fails to dive too far beyond the surface
Even as a lesser Pixar offering, Onward manages to rise above its peers with its commitment to poignant themes and mature stories.
Just Mercy honestly and movingly illuminates the imperfections of America's legal network, respectfully honoring the never-ending fight for true, blind justice.
Smartly subverting the source material, The Invisible Man mostly dodges genre trappings and offers a powerful horror story for the modern world
The Hunt features fun action and a charismatic lead performance by Betty Gilpin, but is ultimately sunk in its final act as a result of misconceived, poorly executed social commentary.
