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Review: Halloween (2018)

Halloween (2018) succeeds not because it has created something new, but rather because it has resuscitated the DNA of any good slasher flick.

Review: Suspiria (2018)

The prospects of remaking a beloved film classic, particularly within the horror genre, are almost always dismissed with unanimous scorn and...

[EIFF Review] – The Guilty

The Guilty makes the most of its minimalist design relying on stellar sound / production design to deliver a tense thriller