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Review: Creed II

Creed II relies heavily on the traditional Rocky formula to deliver a safe but ultimately satisfying entry into the franchise

Review: Green Book

More than a simple buddy movie, Green Book deftly juggles emotional thematic material with humor and heart.

Mickey Mouse At 90: The World’s Most Famous Mouse

M-I-C-K-E-Y M-O-U-S-E. Celebrating the legacy of Mickey Mouse who turns 90.

Favorite Stan Lee Cameos – BTC Staff Survey

We honor the legendary comics creator by running down our favorite Stan Lee cameos. What's your favorite Stan Lee cameo?

Review: The Girl In The Spider’s Web

The Girl in the Spider's Web attempts to resurrect the series on the silver screen but fails to match the same level of craftsmanship as its predecessors

In Appreciation Of: Let The Right One In / Let Me In

Let The Right One In and its American remake Let Me In bring a different kind of vampire to the screen.

Review: Johnny English Strikes Again

Rowan Atkinson returns to the role of Johnny English. For fans, this will be a sequel with diminishing returns; for critics much more of the same

Review: Halloween (2018)

Halloween (2018) succeeds not because it has created something new, but rather because it has resuscitated the DNA of any good slasher flick.

Review: Suspiria (2018)

The prospects of remaking a beloved film classic, particularly within the horror genre, are almost always dismissed with unanimous scorn and...

Reappraising Romero (1989)

Romero is not flashy or particularly bold in its execution, but like its titular character, it is filled with heart and a passionate plea to end all conflict.

[EIFF Review] – The Guilty

The Guilty makes the most of its minimalist design relying on stellar sound / production design to deliver a tense thriller

Review: A Star Is Born (2018)

A Star is Born (again) as Lady Gaga steals the show in Bradley Cooper's directorial debut.

Review: Beautiful Boy

Beautiful Boy is an affecting drama about the hardships of substance abuse even though its execution falters into emotionally manipulative territory.

[EIFF Review]: Dogman

Once again returning to the darker side of Italian society, Matteo Garrone's Dogman is another gripping and striking entry in his audacious filmography.

[EIFF Review]: Maria By Callas

Maria By Callas highlights one of opera's titans. For newcomers providing a solid introduction, for connoisseurs - a reminder - of the great Maria Callas